Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio The young Bacchus (mk08) oil painting


The young Bacchus (mk08)
c.1591-1593 Oil on canvas 66x53cm Rome,Galleria Borghese
Painting ID::  21438 		Caravaggio
The young Bacchus (mk08)
c.1591-1593 Oil on canvas 66x53cm Rome,Galleria Borghese
   
   
     
Caravaggio Bacchus (detail) (df01) oil painting


Bacchus (detail) (df01)
1593-1595 Florence,Galleria degli Uffizi
Painting ID::  22531 		Caravaggio
Bacchus (detail) (df01)
1593-1595 Florence,Galleria degli Uffizi
   
   
     
Caravaggio Supper at Emmans (mk33) oil painting


Supper at Emmans (mk33)

Painting ID::  24681 		Caravaggio
Supper at Emmans (mk33)
   
   
     
Caravaggio Self-Portrait as Bacchus oil painting


Self-Portrait as Bacchus
mk52 Oil on canvas 66x52cm Galleria Borghese,Rome
Painting ID::  26764 		Caravaggio
Self-Portrait as Bacchus
mk52 Oil on canvas 66x52cm Galleria Borghese,Rome
   
   
     
Caravaggio David with the Head of Goliath oil painting


David with the Head of Goliath
mk52 c.1610 Oil on canvas 125x100cm Galleria Borgese,Rome
Painting ID::  26765 		Caravaggio
David with the Head of Goliath
mk52 c.1610 Oil on canvas 125x100cm Galleria Borgese,Rome
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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